Croome began with Thomas Coventry who had purchased Croome D’Abitôt in 1592, but the Croome Court we see today was really the creation of George Coventry, the 6th Earl of Coventry.

After inheriting Croome Court George quickly married the famous Irish beauty and London society hostess Maria Gunning in a move designed to prop up his dwindling fortunes. He then set about using all her money to update and transform the aging Neo-Palladian mansion. He commissioned Lancelot ‘Capability’ Brown to redesign both the house and the expansive grounds. This was the architect and landscape designers first large-scale commission and is often described as his ‘first and favorite child’. He completely transformed the vast landscape, literally moving the entire local village out of view of the house and hiding it behind a newly planted veil of trees. He knocked down the old Medieval church and replaced it with a lovely Gothic church on a hilltop above the park. Brown cleared the grounds of everything formal and added flowering shrubberies, wooded walking paths, temples, follies, carriage drives, a Chinese Bridge, a lake and, even, a 1 3/4 mile long hand-dug illusionary serpentine river, all designed to create a perfect natural parkland as far as the eye could see. Although, now devoid of sumptuous furniture, paintings, tapestries, carpets and a small army of house servants, Croome Court remains stately and grand.

Unlike George Coventry, Maria didn’t inherit her status and fortune, she had to earn it, the ”old fashioned way”. In the early 1740s, the Gunning’s fortunes were so diminished that Maria’s mother encouraged her daughters to take up acting, a profession filled with “working girls” and considered very unrespectable. Still teenagers, the sisters, dressed as Lady Macbeth and Juliet, attended a ball in Dublin Castle and were presented to the Duke of Hamilton. He was so impressed with their beauty and, perhaps even a little more, that he granted the family a pension allowing them to flee Ireland and rejoin English society. While trolling for titled husbands, the girls attended scores of balls and parties where they eventually met the elderly King George II who was hugely amused by the notoriously tactless Maria. The King’s approval solidified her place at the Court of St James and newspapers began following her every move. She quickly became an 18th century influencer. In 1752, Maria married the 6th Earl of Coventry and became the Countess of Coventry. George’s marriage to Maria was short lived. Her love of fashion quite literally killed her. Her lead-based whitening make up caused skin eruptions, which then encouraged women to apply more make up to cover the blemishes, eventually causing lead poisoning. Considered a beautiful but vain woman, Maria eventually became known in society circles as a “victim of cosmetics” succumbing to the lead and mercury toxins in her beauty creams at the age of 28. 

During their marriage Maria’s husband had became involved with the scandalous Kitty Fisher, which caused his wife much distress. The women even traded barbs in public. Kitty, a prominent British courtesan from her teenage years onward, was a brilliant marketer who developed a carefully molded public image This was enhanced by portraits done by Sir Joshua Reynolds and other well known artists of the day who emphasized Fisher’s beauty, audacity, and charm. These portraits, coupled with numerous newspaper and magazine articles promoted her notorious reputation and made her one of the world’s first celebrities, famous simply for being famous. She eventually married an Admirals son in 1766 and retired to the country only to die a year later at 26. It is thought that she died of lead poisoning as well.

So many books and articles claiming to tell Kitty’s life story were published, both during and after her life, that separating fact from fiction is difficult. She was portrayed by Paulette Goddard in the 1945 blockbuster film Kitty, which told a Pygmalion-like rags-to-riches story of a beautiful young cockney pickpocket who is completely made over by an impoverished aristocrat in hopes of arranging her marriage to a wealthy peer, in order to repair their fortunes and regain their social status.