Tag Archives: Home Exchanges

The Time Machine

During this semi-isolation we live in now I’ve managed to get to some long forgotten projects. A quarter of a century ago, in 1995, we went to Sherborne, England for our first Home Exchange. We were still in an analog universe without digital cameras, cellular phones, social media and the high speed Internet we know today. So our negatives and journals, after a cursory perusal, went the way of all vacation memories at the time, deep in a drawer. We have decided to rediscover what we did and how we felt about it. Come along.

1995

Wendi has been organizing our very first European Home Exchange for over a year at this point. We fly out on March 23rd for a 5 1/2 week trip to England. We’ll be spending our first 3 1/2 weeks in Sherborne, Dorset at the home of the Rouses, two teachers at the Sherborne Boys School, one of a few exclusive institutions that molds entitled little rich kids into the leaders of tomorrow. Then we’ll be off to London for two weeks in a small studio flat in Covent Gardens.

This is a real act of faith for us. Leaving our home and business for almost a month and a half feels very risky. Our clients are a bit shocked and not particularly happy, as most are corporate types that get two weeks off at the very most. We’re not sure if there will be business when we return. Time will tell.

At this point I should tell you a little about the exchange. We have discovered that our exchangers, Tony and Jan Rouse, share the same last name but are, in fact, not married or even together. They are just good friends. When we were picked up at Heathrow it was explained to us that we could stay at either Jan or Tony’s house, but that Tony’s house, the Firs, was larger and directly across the road from Sir Walter Raleigh’s Castle. Wow, a house with a name, next to a castle, that’s the one for us. It was only after we were dropped off that the fatal flaws in our decision became apparent. Tony lives all alone, he’s a bachelor and all that entails, beginning with a very unfortunate kitchen and two bathrooms in crisis. As for the view of the castle, actually it’s about as charming as a huge crumbling pile of rubble can be.

I’ll feel better after a quick shower, but wait I can’t open my luggage. The name tag says Capt. Thompson. Who the hell is Capt. Thompson? I call British Airways, “Hello Mr. Peterson, we’ve been expecting your call. You apparently have Capt. Thompson’s bag. He’s on his way to Nairobi now, so we’re going to send a driver by your place to pick up the Captain’s bag and bring it here. We’ll try and get your bag out to you in a couple days. OK?” I pause as my jet lagged brain tries to think this through. “Mr. Peterson, you still there?” “Yes, but I’m afraid your plan won’t work for me. What I will do is exchange bags with you. Bring me my bag and you get the Captain’s bag.” After three solid minutes of dead air time she finally agreed. The driver arrives just after midnight, topping off the longest day of my life.

Sherborne Abbey

Christians have worshipped where the Abbey stands for over 1300 years. When Henry VIII dissolved the monasteries in 1539 his good buddy, Sir John Horsey, acquired Sherborne Abbey with plans to demolish it. The townspeople, only about 2000 strong, rallied together and heroically managed to raise what would be over $445,000 today to save the church.

Our new friends have organized a little tour of the Abbey. Their friend is the cathedral organist and has promised to show us around.The organist was so kind and hospitable. To the surprise and delight of people visiting the cathedral, he even belted out a little ditty for everyone’s enjoyment. He then took us up the secret stairway to the roof for a view of the town.

After the tour we headed over to the Digby Tab for a few Imperial pints of Strong Bitter. The organist arrived after a couple rounds. I stood up and announced to the assembled crowd that he has the largest and most beautiful organ I have ever seen. I’m certain that they are still teasing him and laughing about the dumb American.

Don, Edith, Cyril and the Organist at Sherborne Abbey

Stonehenge

When you could still walk up and touch these magical stones.

Beer

A quaint little Cornish village perched on hillside overlooking the English Channel. We decided to stay here simply because it’s named Beer. Seemed like a no-brainer.

We stayed at the Colebrooke House. At breakfast we tried to chat with the owner and asked if he had grown up in Beer and what he did for a living before starting a B&B. He immediately dressed us down for being far too farmilar and explained that the English would never take such liberties with a stranger. As soon as he left the room the ladies at the next table came over, introduced themselves and told us the landlord was full of bullocks and just being an old grump.

Tintagel Castle

A medieval fortification located on the island of Tintagel, the castle was built by Richard, 1st Earl of Cornwall in the 13th century.

It has been a tourist destination since the 1930s when visitors began coming to see the ruins of Richard’s castle. Tintagel Castle has long been associated with the legends of King Arthur.

Geoffrey of Monmouth created the Arthurian myths that are still popular today. In the 12th century he described Tintagel as the place of Arthur’s conception in his mythological account of British history. Geoffrey wrote that Arthur’s father, King Uther, was disguised by Merlin’s sorcery to look like the Duke of Cornwall, so he could sneak into the Duke’s bedroom and have his way with Igraine, Arthur’s mother. A sort of 12th century date rape.

Trevigue, Crackington Haven, Cornwall

We drove to Trevigue down a very narrow country lane after dark. The fog was so thick that we didn’t realize that just 15′ to our left was a 100′ cliff above the Irish Sea. Mentioned in the Domesday Book, Trevigue has been a farm since before the Norman Conquest.

Further North

Warwick castle

London

It’s Easter Sunday and we’re on the train to London for our last two weeks. We’ve rented a very small apartment in Covent Gardens from Mr. Almaz. Apparently it’s his son’s place and the old man puts him out whenever he can get a renter. It’s teeny but clean and the son has tons of movies. We haven’t turned on a TV in over a month.

The Imperial War Museum

Much to my surprise, this place is great. World War II is clearly England’s defining moment and this extraordinary museum gives you a real feel for the devastation and aftermath of the conflict. We even took a simulated bombing run over Berlin.

The Tower of London

It’s not really a tower, it’s a walled fortification that encloses a jail, an armory, a jewel house, chapel, royal houses and apartments. The Beefeater that served as our tour guide told us that in centuries past it was a very unpleasant place that the Royals would only come to when there was a threat of attack. The sewer system in particular was suspect. It was designed with the thought that the tidal river would wash the waste out to sea twice a day. Apparently it never worked and left the whole place smelling like an open septic tank. A lot is made of the famous beheadings that took place on the Tower Green, but apparently most executions took place outside the complex on Tower Hill so the bloodthirsty public could attend. Executions inside the complex were more solemn affairs not meant for immediate public consumption.

The Queen’s Apartments, The Tower of London

The condemned entered the Tower through this passage.

Anne Boleyn and countless others spent their final days in this very room.

Touring With Her Majesty

An Imperial Pint at the King’s Arms, London

The Kingdom of Saxony

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Saxony

Saxony is the 10th largest of Germany’s 16 states. It has history that spans over a millennium. Slavs and Germanic people settled here in the first century BC.

We’re here to visit Saxony’s two largest cities.

Leipzig – The Better Berlin

Leipzig is the most populous city in the state of Saxony, Germany, with a population of 1.1 million in the metropolitan area. It sits at the intersection of the ancient Via Regia (the Royal Road) and the Via Imperii (the Imperial Road), the two most important medieval trade routes of the Holy Roman Empire. Literally, the epicenter of the commercial world.

The Leipzig Trade Fair, Leipziger Messe, was started in the Middle Ages and remains the oldest surviving trade fair in the world.

DDR Leipziger Messe Office

Leipzig was one of Europe’s largest centers of learning and culture prior to WWII and, although a major urban center within the GDR, its cultural and economic importance declined under the Soviets.

Star atop the Soviet Era Trade Fair Center

Since the Wall came down in 1989, Leipzig has been informally dubbed “Hero City” (Heldenstadt) in recognition of the role it played in ending the East German regime. Recently, the city has been nicknamed the “Boomtown of East Germany”, “Hypezig” or “The Better Berlin” and is being celebrated by the media as a hip urban centre. Leipzig is now considered the most livable city in Germany and is currently listed as a Gamma World City.

Leipzig Hauptbahnhof is the world’s largest railway station measured by floor area.

Leipzig Hauptbahnhof

Opera House

Downtown Statue

There are over 20 covered passages or shopping arcades in Leipzig’s city center and Wendi dragged me through all of them.

Museums

The GDR Museum

Museum der bildenden Künste

Museum der bildenden Künste

The giant dinosaur is a fountain of sorts. Blood drips into the bucket from his mouth and is pumped back through his body in a continuous loop.

Museum der bildenden Künste

Arno Rink

Arno Rink

The much admired German artist passed away last year at the age of 77. Museum der bildenden Künste is celebrating his life and work with a huge career spanning retrospective.

Museum der bildenden Künste

Aeneas, 1986-87 – Arno Rink

Stürzender Aggressor, 1973 – Falling Aggressor – Arno Rink

Canto Libre – Free Singing – Arno Rink

Terror II – 1978-79 – Arno Rink

The Grassi Museum of Applied Arts

The Grassi Museum of Applied Arts

The Grassi Museum of Applied Arts in Leipzig is primarily a ceramics museum which covers a huge range of ceramic work from antiquity to the present day. The museum is laid out as a sort of passage through time. You begin in ancient Greece and finish in 20th century Europe, but it’s the contemporary work that rocked me to the core.

18th Century Tea Cup

Lots of Tea Cups

“Amour fou” – Carolein Smit

“Violet and Daisy” – Carolein Smit

The 30 piece exhibition, “Amour for”, by Dutchwoman Carolein Smit is one of the singularly most fascinating, disturbing, captivating and sadistically funny shows I’ve ever witnessed. And I say witnessed as opposed to viewed because it is a little like seeing a strange crime scene. The work is so precise and polished that it’s easy to dismiss the painstaking effort and enormous talent that has gone into creating these fantastic creatures. Every pearl is hand rolled from clay, every strand of hair is individually fashioned and precisely placed with tweezers. And, my God, just think about all those strange dreams!

The museum wrote, “Carolein Smit combines opposites in her ceramic sculptures, reminiscent of an Amour fou, an apparently unreasonable and yet most passionate and addictive love. Where does innocence turn into guilt, life into death? Where is the transfer, the turning point? Those are the questions that the Dutchwoman tries to answer. Her mysterious figurations appear as precious and tantalizing as they seem dangerous, fragile and painful. At the same time, they are filled with cryptic humor. They are works of modern times, but their alter egos are rooted in the world of curiosity cabinets, collections of devotional objects and mythically-fantastic little branches of art history.”

“Death and the Maiden” – Carolein Smit

“The Cat” – Carolein Smit

“Girl with Dog” – Front – Carolein Smit

“Girl with Dog” – Back – Carolein Smit

“Pearls” – Carolein Smit

“Lamb with Three Headed Monster in Flames” – Carolein Smit

Check her out – http://www.caroleinsmit.com – She doesn’t look weird at all.

Leipzig and the Nazis

I’m of an age where World War II shaped my thinking. Mine and all of my friend’s parents were directly effected by the war. About half my neighborhood was Jewish and every single family was rocked to the core in the aftermath of the horror in Europe.

In 1933 there were 11,000 Jews living in Leipzig. By 1942 only 2,000 remained. On June 18, 1943 the last 18 were shipped to concentration camps. Of all the Jews deported from Leipzig only 53 survived.

As hard as it is to imagine, it’s estimated that one in ten Germans still harbors anti-Semitic views. We have been to five flea markets and all of them had vendors with Nazi memorabilia, which is illegal to sell in Germany, but apparently, not enforced. With the addition of over a million Syrian refugees the problem has just gotten worse. It has been suggested in the Bundestag that middle eastern immigrants seeking residency should be compelled to view a concentration camp and attend lectures on the holocaust to help them recover from their ingrained bias and disbelief of these factual events.

Karl Friedrich Goerdeler – A Man of Contradictions

Oberbürgermeister Karl Friedrich Goerdeler

Karl Friedrich Goerdeler was clearly a conflicted man. Elected mayor of Leipzig on May 22, 1930, he was well known as an opponent of the Nazi regime, for their evil thuggish tactics, not their anti-Semitism.

He resigned in 1937 after his Nazi deputy ordered the destruction of the city’s famed statue of Felix Mendelssohn. On Kristallnacht in 1938, the 1855 Moorish Revival Leipzig synagogue, one of the city’s most architecturally significant buildings, was deliberately destroyed. Following this Karl Goerdeler was overwhelmed with despair over what he considered to be the triumph of evil and hatched an ill fated plan to help save Jews deported to Polish Concentration Camps. He was captured and imprisoned by the Nazis, and yet, while on death row he was still anti-Semitic. In 1944, in his “Thoughts of a Man condemned to Death”, he wrote, “We should not attempt to minimize what has been happening, but we should also emphasize the great guilt of the Jews, who had invaded our public life in ways that lacked customary restraint^”.

He was finally hanged on February 2, 1945. In a farewell letter Goerdeler wrote of himself and his co-conspirators, “I ask the world to accept our martyrdom as penance for the German people.”

Dresden

Photo by Bgabel

Dresden has a long history as the capital and royal residence for the Kings of Saxony, who for centuries furnished the city with cultural and artistic splendor. During the 19th century, the city became a major centre of economy, including motor car production, food processing, banking and the manufacture of medical equipment. By the early 20th century, Dresden was particularly well known for its camera works and its cigarette factories. Between 1918 and 1934, Dresden was capital of the first Free State of Saxony. Dresden was a centre of European modern art until 1933, when the Nazis came to town.

Zwinger

Dresden Castle

Summer Fest – Opening Mass

We are here for two exceptional museums,

Gemäldegalerie Alte Meister

The Gemäldegalerie Alte Meister, houses old masters, mostly Italian and German. It’s located in the Semper Gallery and is part of the much larger Zwinger Courtyard. This is an amazing site, but I’ll try to keep it short with just a few things I thought were fun.

Canaletto

With the aid of a Camera Obscura, Canaletto created precise urban views known as vedute. His paintings are almost photographically realistic images of 18th century Venice.

He sold his diffuse atmospheric paintings of the lagoon city to aristocrats who traveled through Europe on their educational Grand Tour.

This is the courtyard we are in today.

The Zwinger Courtyard in Dresden – 1751-52 – Canaletto

The Canal Grande in Venice with the Rialto Bridge – 1724 – Canaletto

Camera Obscura

Camera Obscura

As a drawing aid, the camera obscura allowed tracing the projected image to produce a highly accurate representation and an easy way to achieve a proper graphical perpspective. The camera obscura box was developed further into the photographic camera when camera obscura boxes were used to expose light-sensitive materials to the projected image.

The Tower of Babel

According to the tale, humanity was united in the generations following the Great Flood and spoke a single language. While migrating eastward they came to the land of Shiner and agreed to build a city and a tower tall enough to reach heaven. God observed this and was so upset that he confounded their speech, so that they could no longer understand each other, and scattered them around the world.

The Tower of Babel – 1595 – Marten Van Valckenborch d.Ä.

I love the whole notion of the Tower of Babel. As a parable is addresses a few issues, why we speak multiple languages, why we have many different cultures and are not united by either a common goal or belief system. It sort of puts the blame on God’s shoulders by suggesting that he has punished us for trying to physically reach him and the kingdom of heaven before our time is due. I think, at least in Western cultures, most people no longer think of Heaven as an actual physical place you could climb to but more as a spiritual or ethereal plane. But perhaps I’m wrong. The great American singer and songwriter David Bryne, wrote in his song Heaven that it’s a place where nothing ever happens and “they play my favorite song over and over”, presumably for eternity. A dire prediction, indeed.

The Chocolate Girl – 1744 – Jean-Étienne Liotard

Jean-Étienne Liotard

This pastel painting by the Swiss artist, Jean-Étienne Leotard, was already famous in the 18th century. Leotard has completely eliminated all traces of brushwork and produced immaculately modulated tones, creating the impression of utmost perfection. After a lengthy trip to Constantinople, the much-travelled portraitist began wearing Middle Eastern costumes and referred ti himself as” le painter turn” – the Turkish painter.

Anton Graff

Graff was a court painter in Desden and was much esteemed as a portraitist by the aristocracy and bourgeoisie. His numerous self-portraits reflect the self-confidence and pride of an artist that has won fame. He devotes particular attention to the intense, concentrated gaze, through which he conveys his character and individuality.

Self Portrait at The Age of 58 – 1794-95 – Anton Graff

Self Portrait as An Old Man – 1805-06 – Anton Graff

Young Lady with Drawing Utensils

Young Lady with Drawing Utensils – 1816 – Carl Christian Vogel von Vogelstein

Looted in April 1938 from the Jewish sisters Jenny and Bertha Rosier. Both died in Treblinka Concentration Camp in 1942 and the painting passed through the hands of German art dealers until it was finally restituted to the heirs of the original owners in 2010.

The Albertinum

Albertinum

The Albertinum was built between 1884 and 1887 by extending a former arsenal. Damaged in the February 13, 1945 bombing of Dresden in World War II, the Albertinum was restored by 1953. It now hosts the New Masters Gallery and the Sculpture Collection. The museum presents paintings and sculptures from Romanticism to the present, covering a period of some 200 years.

The Albertinum

Otto Dix – 1924 – August Sander

When the First World War erupted, Otto Dix volunteered for the German Army. He was assigned to a field artillery regiment in Dresden. In the autumn of 1915 he was a non-commissioned officer of a machine-gun unit on the Western front and took part in the Battle of the Somme. In November 1917, his unit was transferred to the Eastern front until the end of hostilities with Russia. By February 1918 he was stationed in Flanders. Back on the western front, he fought in the German Spring Offensive. He earned the Iron Cross and reached the rank of vizefeldwebel. In August of that year he was wounded in the neck. He was discharged from service in 22 December 1918 and was home for Christmas.

Dix was profoundly affected by the sights of the war and later described a recurring nightmare in which he crawled through destroyed houses. He represented his traumatic experiences in many subsequent works. The “War” triptych is one of Otto Dix’s most famous.

War – 1929-32 – Otto Dix

The Survivors – 1963 – Willi Sitte

Self-Portrait with Cap – 1930 -Curt Querner

Self-Portrait – 1984 – Paul Michaelis

With a self-mocking gesture, the 70 year old Michaelis playfully explores the question as to whether and how a person’s character and frame of mind can be captured on canvas. With his head slightly twisted and his lips pressed together, he examines his subject in this self-portrait.

“Socialist Contemporary Art” 1961 – 1967

In 1961 an indépendant department of “Socialist Contemporary Art” was established to implement the “Bitterfeld Way” whose purpose was to introduce workers to art and to eliminate the division between art and daily life.

Depictions of Workers

In the officially sanctioned artistic style of Socialist Realism, man is the focal point. The SED propagated an idealized socialist image of man, which was developed programmatically in the 1950s under the utopian concepts of the “New Man” and from the 1960s onwards as the “socialist personality”. The New Man was characterized as somebody who possessed a wide range of knowledge and skills, was hard-working, had a pronounced socialist consciousness, always behaved is a disciplined and moral way in accordance with socialist principles, was interested and active in the areas of culture and sports, and generally demonstrated a positive, optimistic attitude to life. Sounds like advertising to me.

Group Portrait – Schirmer’s Carpentry Brigade – 1972 – Werner Tübke

“Schirmer’s Carpentry Brigade” – This portrait of a brigade of carpenters in Leipzig, was exhibited at the 7th Art Exhibition of the GDR in 1972 and sparked a controversial debate. The contrast between a modern theme and an old masterly-Renaissance style of painting was disconcerting.

Seamstresses – 1982 – Harald Metzkes

“Seamstresses” – The bustling but concentrated activity of a working day in a nationalized company in the GDR is the subject of this painting. Metzkes developed a reputation as the “Cézannist of Berlin”, a soubriquet derived from his realistic, restrained portraits and his affinity to the French artist.

Brigade Leader – 1952 – Heinz Lohmar

Chess Player – 1964 – Willi Neubert

“Chess Player” – The man in the painting is recognizable by his clothing as a worker while playing chess represented the ideal of the “all-round developed socialist personality”.

House Peace Committee – 1952 – Rudolf Bergander

“House Peace Committee” – This painting was not purchased until 1960 because of it’s controversial loose style. So-called “discussion pictures’ were intended to demonstrate the value of the democracy established in the GDR.

Foreman – 1960 – Walter Howard

Woman In Uniform – 1983 – Annette Schröter

“Woman In Uniform” – The concept of the uniform dress runs counter to the female role in the traditionally male field of the military. With this picture, Schröter was campaigning against the nightmare of a law requiring women to perform military service in the GDR.

The New Owner – 1951 – Hermann Bruse

“The New Owner” – The catalogue for the 1979 “Weggefährten-Zeitgenossen” exhibition in Berlin stated, “The aim was to impress on the public consciousness the image of the new social status of the worker. An early example, in which the composition and posture of the subject merged to form an intrinsic unity, is Hermann Bruse’s “The New Owner”. The prestigious picture format in which the subject is depicted from the hips up, or as a full-length, seems now to have become standard for portraits of workers in the GDR.”

After Deployment – 1973 – Christoph Wetzel

“After Deployment” – Christoph Wetzel’s graduation project at the Hochschule for Bildende Künste Dresden is the only painting in the collection showing a member of the GDR army, the Nationale Volksarmee. Rather than depicting a combat-ready defender of his country, Wetzel presents him as a vulnerable man with his back bared.

Nazi Footnotes

Looted Art

Hildebrand Gurlitt

The destruction of Dresden allowed Hildebrand Gurlitt, a major Nazi museum director and art dealer, to hide a large collection of artwork that had been stolen during the Nazi era. During interrogation after capture, Gurlitt told US Army authorities that his art collection and documentation of transactions had been mostly destroyed at his home in Kaitzer Strasse. The authorities seized 115 pieces of art but returned them after he had convinced them that he had acquired them lawfully. He claimed he was a victim of Nazi persecution due to his Jewish heritage. Gurlitt was released and continued trading in art works until his death in a car crash in 1956.

On 22 September 2010, German customs officials at the German–Switzerland border found €9,000 in cash on his son Cornelius Gurlitt, which led to a search warrant of his apartment in Schwabing, Munich. On 28 February 2012 they found 1,406 artworks, with a present estimated worth of one billion Euros. Priceless art treasures hung on every wall. Authorities initially banned reporting on the raid, which only came to light in 2013.

The Bombing of Dresden

Dresden Bombing

The bombing of Dresden by the Royal Air Force and the United States Army Air Forces between February 13 and 15, 1945. The sheer scale of the attack remains controversial. Over 5 tons of incendiary and high explosive bombs on the city. The combination of bombs damaged and incinerated buildings, denying their use by retreating German troops and refugees. Widely quoted Nazi propaganda reports at the time, claimed 200,000 deaths, but in 2010, after five years of research, the German Dresden Historians’ Commission concluded that casualties numbered between 18,000 and 25,000. The Allies described the operation as the legitimate bombing of a military and industrial targets, but several researchers have argued that mostly women and children died. Allied military authorities have stood by the decision to carry out the bombings, reaffirming that it reduced the German military’s ability to wage war.

The End

I hate to end on such a somber note, but it is, what it is. We love to share what we are lucky enough to see and do. We hope you enjoyed some of it. See you next time.

Tot Ziens En Veel Succes – Good Bye and Good Luck

Good bye from the Hilton Amsterdam

The Wendi Files 2018.2

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This End Is Near

As we approach the end of this year’s sojourn, let’s catch up on the antics of my pesky compadre.

The Alte Museum in Berlin, Germany

Central Station, Amsterdam, NL

Staatliches Museum in Schwerin, Germany

At NMOMA in Edinburgh, Scotland

National Portrait Gallery, Edinburgh, Scotland

The Monument, Leipzig, Germany

Amsterdam, NL

KrollerMuller, NL

Fraser Castle, Scotland

Culross, Scotland

Crathes Castle, Scotland

Vintage Market in Leipzig, Germany

“Aperol Spritz” at Cospudener See, Leipzig, Germany

Foam Galley Amsterdam, NL

Simpson shoes in Leipzig, Germany

With Helmut Newton in Berlin, Germany

Gemäldegalerie Alte Meister in Dresden, Germany

Amsterdam, NL

Gemäldegalerie Alte Meister in Dresden, Germany

Amsterdam, NL

Foam Gallery in Amsterdam

Edinburgh, Scotland

And a hearty farewell. See you all next time.

A Monument For The Ages

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Monument to the Battle of the Nations – Völkerschlachtdenkmal

The Monument to the Battle of the Nations commemorates the Battle of the Nations which took place on this site for three days in October of 1813. Over 500,000 soldiers amassed in one of the largest battles in history as coalition armies of Russia, Prussia, Austria and Sweden fought against Napoleon’s troops.

The Monument to the Battle of the Nations – Stock Photo

The monument stands on the spot of some of the bloodiest fighting. It is reputed that there are over 100,000 dead buried in mass graves here. Realizing his defeat, Napoleon ordered the retreat of his army and returned to France. By the next year, the Allied forces invaded France, Napoleon abdicated and in May of 1814 was exiled to Elba.

The Monument to the Battle of the Nations Reflection Pool

The granite and sandstone memorial, at 299 ft high, is one of the tallest monuments in all of Europe.

The Monument to the Battle of the Nations – 299 ft tall.

The Monument to the Battle of the Nations

The 39 foot main figure on the front of the memorial represents the Archangel Michael, considered the “War God of Germans”.

The Archangel Michael

The first level, the Crypt, is adorned by eight large statues representing the faces of fallen warriors.

The Crypt

Each one is protected by the Totenwächter or the Guardians of the Dead.

Guardians of the Dead & Faces of the Fallen Warriors

The Crypt With The Hall of Fame Above

The second story, the Ruhmeshalle or the Hall of Fame, features four 31 foot statues. Each represents one of the four legendary historic qualities ascribed to the German people: bravery, faith, sacrifice, and fertility.

The Hall of Fame – Faith

The Hall of Fame – Bravery

The Hall of Fame – Sacrifice

The Hall of Fame – Fertility

The cupola is decorated with primitive Germanic shapes, inspired by Egyptian and Assyrian sculpture and the inside of the Dome features a calvary of soldiers.

The Dome

Horsemen of the Dome

Oaks surround the monument, a symbol of masculine strength and endurance. These oaks are complemented with evergreens that symbolize feminine fertility.

Oak Trees Line The Reflection Pool At The Monument to the Battle of the Nations

The View From The Top

The View Southeast

On a clear day you can see the town of Halle, 50 km to the NE.

The View Northeast

The Nazi’s Last Stand in Leipzig, 1945

The monument was designed to commemorate the spirit of the German people, the establishment of a lasting German community and their maturation into an “organized ethnic group”. Hitler frequently used the monument as a venue for his meetings in Leipzig.

Nazi Rally at the Monument to the Battle of the Nations

As the Allied noose tightened around Leipzig, the Völkerschlachtdenkmal monument would become the scene of one of Nazi Germany’s last stand.

Brig. Gen. of Police Wilhelm von Grolmann controlled the 3,400-strong paramilitary Leipzig police force. He saw nothing to be gained in a futile defense of the city and hoped to spare Leipzig from total destruction. Unfortunately, Colonel Hans von Poncet, who commanded a handful of German defenders, insisted he was under a direct order from Hitler not to surrender. On April 18th he withdrew to the Battle of the Nations Monument with about 150 men and enough ammunition and foodstuffs to last three months.

An US Soldier In The Crypt – Warfare History Network

On the morning of April 19, Colonel Poncet, occupying the nearly impregnable position, was still defiant as the heavy artillery shells did little damage to the sturdy walls of the monument. The Germans were holding 17 American prisoners inside so American General Reinhardt decided against using flamethrowers to burn the Germans out and began negotiations. At 2am on April 20th, the diehard Nazi commander strode out of the main entrance and the monument was secured. During the negotiations, Lt. Col. Knight granted permission to the remaining handful of German solders for a 48 hour leave, allowing them to pay one last visit their homes in Leipzig. Knight supervised the disarming of the enlisted prisoners and Captain Hans Trefousse, an interrogator of German prisoners with the 273rd Infantry Regiment, guided more than a dozen of the German officers through the lines to their homes. When it was time for them to return to captivity only one failed to appear, leaving behind a note of apology.

An Allied Soldier Leads Nazi Prisoners To The Hauptbahnhof In Leipzig – Warfare History Network

Russian Spin

In July, the Americans withdrew from Leipzig, moving westward to the designated postwar zone of occupation and allowed the Red Army to move in. Thus began a period of Communist rule in East Germany that lasted until 1989. The government of the new German Democratic Republic was unsure whether to allow the monument to stand since it stood for steadfast German Nationalism, but because the monument was primarily linked to a battle in which Russian and German soldiers had fought together against Napoleon, it was spun to represent an example of Deutsch-russische Waffenbrüderschaft or Russo-German brotherhood-in-arms and was allowed to remain. In 1956, authorities stated that the monument could be interpreted as a symbol of “long-standing German-Russian friendship”.

Trabant at the Monument to the Battle of the Nations

After years of neglect, a 16 year restoration was started in 2003. With the exception of some landscaping and designated parking the project is just about complete.

Schwerin – the Florence of the North

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Schwerin

This lovely storybook city in Northern Germany is referred to as the Florence of the North. The capital of the state of Mecklenburg-Vorpommen, Schwerin has a population of about 150,000. It is surrounded by lakes, the largest of these being the Schweriner See, the third largest in Germany.

City Market Square

At the end of World War II, Schwerin was taken by United States troops. It was then turned over to the British on June 1, 1945. One month later, on July 1st, it was handed over to the Soviet forces, and the British and American forces pulled back from the line of contact to the predesignated occupation zones.

Schwerin was then in the Soviet Occupation Zone which was to become the German Democratic Republic (GDR). After reunification in 1990 it once again became the capital of the state of Mecklenburg-Vorpommen.

The Trace of the Lion Monument

This monument on the Market Square in Schwerin was built in 1995 by the controversial German sculptor Peter Lenk. It commemorates the 800th anniversary of the death of the city’s founder Heinrich the Lion. During his lifetime, Henry, Duke of Bavaria and Saxony, was one of the most powerful men in his region of the world. He founded the city of Schwerin in 1160, Munich in 1157 and Lübeck in 1159. During his reign, he ruled over a territory that reached from the coasts of the North and Baltic Seas all the way to the Alps.

The Trace of the Lion Monument – Stock Photo

The nearly 15-foot-tall monument features a lion, Henry’s heraldic animal. The sides show curious scenes associated with Henry’s life. The most bizarre scene depicts the duke riding through a gauntlet of people flashing their buttocks. Legend has it that when Henry arrived in the town of Bardowick, its contemptuous residents received him with their pants pulled down to reveal their bare behinds in an expression of anger at the Duke’s punitive trade policy that promoted Schwerin and Lübeck as important trading places and caused Bardowick to lose it’s prestige.

The Trace of the Lion Monument

Schloss Schwerin – Schwerin Palace

Stock Photo

The first records of a Slavic fort at this small island date from AD 973. In 1160, the fort became a target of Henry the Lion. The Slavs destroyed the fort before leaving but Henry recognized the strategic importance of the location and immediately started building new defenses. He also had the first foundations of the city of Schwerin laid the same year. In 1167, Henry gave the County of Schwerin to his vassal Gunzelin von Hagen, who formed a ducal hereditary line that lasted until the revolution of 1918 which resulted in the abdication of the Grand Duke.

Schwerin Palace

SchwerinCastle

Schwerin Palace – The Throne Room

The shelves that surround this beautifully paneled room are supported by individually craved animals.

Petermännchen ,“Little Peterman”

Every good castle has to have a ghost. Meet Petermännchen.

Petermännchen – “Little Peterman” – Quid Si Sic “What If So”

This good-natured household spirit is only a few feet tall, is often described as carrying many keys, roaming through the vaults and tunnels underneath the castle, unlocking doors as he goes. He has a cavalier look with a stylish moustache, wearing a waistcoat, riding boots with spurs and a feathered hat. He is said to carry a lantern and sword and is the keeper and watchman of the castle, rewarding those who are honest and good. Conversely he will punish or drive away thieves and intruders. To do so Petermännchen will cause a nuisance or play pranks, crashing and banging through the night. He also wakes soldiers who have fallen asleep on their watch in order to save them from being punished.

The Winter Room

The ceiling decoration in the Winter Room is made of paper mache and covered with three millimeters of gold foil. The builders discovered that paper mache was far superior to paster or stone carving. It’s faster, lighter, cheaper and can be pressed into molds so the designs are infinitely repeatable.

The Winter Room

Queen Luisa of Prussia

This beautiful portrait of Queen Luisa of Prussia hangs in the Winter Room and was painted in 1812 by W. Temite from a drawing made on her deathbed. The covered hands and palm fronds in the veil would have indicated to viewers that the portrait was posthumous.

Queen Luisa of Prussia

Albrecht II

I’ve always insisted that no matter how peculiar some folks seem to look there had to be some point in the day when they caught sight of their own reflection and thought, “Yea, I look pretty cool.”

Albrecht II

I’ll bet the pliers hanging from his waist were to help get in and out of that getup.

Albrecht II – Detail

The Staatliches Museum

Staatliches Museum

The Staatliches Museum Schwerin (State Museum Schwerin) was established in 1882 and is nationally known for its medieval collections well as one of Europe’s most significant collections of French-American artist Marcel Duchamp.

Staatliches Museum

Besides the Alte Meisters (Old Masters), we are here primarily for the GDR Show.

Hinter dem Horizont – Beyond the Horizon …
GDR art from the collections of the Staatliches Museum Schwerin

Schwebendes Liebespaar (Floating Lovers) – Wolfgang Mattheuer – 1970

The exhibition brings together around 100 paintings, drawings, graphics and sculptures some maintaining the prescribed ideologies of the times, others not so much. Here’s just a few.

Bildnis Karl Michel (Portrait of Karl Michel) – Clemens Gröszer – 1988/1989

Der Fotograf Dieter Schmidt (The Photographer Dieter Schmidt) Volker Stelzmann – 1975

Christine – Volker Stelzmann – 1974

The Bitterfeld Way

Artists were called upon to seek out their subject matter in factories or in the countryside. Proximity to the working populace was a programmatic specification of the cultural policy.

“In our time, a contribution to socialist art must consist primarily in encouraging the working people of socialist society to actively shape their lives.”

Fischer und Studenten (Fishermen and Students) – Konrad Homberg -1963/1964

Aufbau der Stalinalee (Construction of the Stalinalee) – Hedwig Holtz-Sommer – 1952

Schweinemeister Richard Thieß (Pork Master Richard Thiess) – Carl Hinrichs -1963

Junger Bauarbeiter (Young Construction Worker) – Walter Howard – 1964/1965

“The working day seems to be approaching its end. The excitement at the prospect of knocking off is unmistakable. This image, marked by optimism and a lust for life, can be understood as a metaphor for the dawning of a new age.”

Jugendbrigade im Aufbruch (Youth Brigade On The Move) – Carl Hinrichs -1962

On Gorbachev’s Reforms In The Soviet Union

“Incidentally, if your neighbor redid the wallpaper in his apartment, would you feel obliged to redo the wallpaper in your apartment as well?”

Jean-Baptiste Oudry – An Alte Meister

Oudry was a much favored 18th century French painter that specialized in animals in conflict, but also had a keen eye for the historical significance of many of these amazing creatures.

Rhinozeros (Rhinoceros) – Jean-Baptiste Oudry – 1749

The Indian rhinoceros “Jungfer Clara” came to Versailles and Paris in 1749. Oudry studied her at the fair at St, Germain. At the time very few people had seen one of these creatures. It must have seemed as alien to the 18th century viewer as a Martian. The life-size portrayal became a memorial to this magnificent rhinoceros.

Rhinozeros (Rhinoceros) – Jean-Baptiste Oudry – 1749

Georges-Louis Leclerc, Comte de Buffon

Georges-Louis Leclerc, Comte de Buffon, a French naturalist, mathematician, cosmologist, and encyclopédiste, produced a highly successful and widespread engraving of Clara’s portrait, which allowed a much larger audience to view this amazing animal.

These large scale paintings of animals at battle were highly favored in the royal houses and palaces of Europe in the 18th century.

Jean-Baptiste Oudry

Let’s finish with a great German artist.

Selbstbildnis/Self-Portrait – Paul Kuhfuss – 1925

Paul Kuhfuss, a classically trained Berlin artist, was hugely prolific and left an archive of over 5,300 works of art.

Herr Kuhfuss was also a man of conscience. In October of 1935, he was denounced by the Gestapo as member of the artist association “Berlin North”, for his resistance to the Nazi cultural propaganda and his defense of Jewish colleagues. Participation in art exhibitions in Berlin was no longer possible until after the war.

Berlin – A Case of Creeping Sameness

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Berlin – Great, In Spite of Itself

I don’t know how many of you remember Ian Shoales. He would do commentary and social observations in the 80’s and was my favorite segment on NPR’s All Things Considered. In one show he talked about the real intent and purpose of McDonalds. He suggested that their success and proliferation throughout America, and ultimately the world, is really about sameness and predictability. By offering the exact same Big Mac with Cheese in Columbus, Ohio as in Seattle, Washington you relieve the consumer/traveler of the anxiety of making a bad choice and you fill them with warmth and comfort. It doesn’t matter that it’s not the best burger, the important thing is the sameness. You combine this with, at least in the 80’s, the virtually identical pimple faced and polite teenager at the drive-thru window and all your fears and reservations are dispelled.

Our Hotel

Now fast forward to 2018 and the Global Village. We find that every major city we visit is striving for exactly the same thing. Wendi and I walked down the Kurfürstendamm in Berlin 26 years ago and stopped in beer halls, ate bratwurst and schnitzel while listening to Oom-pah bands blasting out German tunes to the delight of everyone. Now after spending three very hot days here we find it is more international then national. We went in search of the aforementioned schnitzel, bratwurst and beer halls but were confronted with pizza, pasta, falafel, curry, tacos and HipHop, anything that makes the visitor feel more at home and less here. With the exception of street signs almost everything German has been pushed aside and replaced with samples of cuisine and culture from other places. Even the new architecture would be at home in any major city in the world as more traditional buildings peek through the giant skyscrapers.

That’s Wendi’s hat.

Who know? Perhaps I’ve got it all wrong and that for decades Germans have been saying, “Hey, I gotta get me some of that fast food.”

Art’s The Thing

Man doesn’t live by sausage and beer alone. Does he? Anyway, art is really the thing that rings our bell and the art here is great, especially the German art.

We managed to make our way to four museums that were all terrific.

CO/Berlin

First up was the CO/Berlin, a contemporary photo museum that is showing an amazingly curated show of Polaroid images , most by the great German film director Wim Wender. He took the photos while traveling during the 70s and uses them to help illustrate the social significance this technology has had and how digital imagery is a direct offshoot of it. The Grandfather of the Selfie.

The Camera

Stock Image

Edwin Land attended Harvard University but did not finish his studies or receive a degree. His wife told his biographer that she would prod him for answers to homework problems, write up the work and turn it in so that he could receive credit for the course.

At work he would conceive of an idea, experiment and brainstorm, taking no breaks, until it was solved. Food was brought to him and he had to be reminded to eat. He was rumored to have worn the same clothes for eighteen consecutive days while working on a diffcult problem. As the company grew, Land had teams of assistants working in shifts at his side. As one group grew tired, the next was brought in to continue.

Polaroid originally manufactured sixty units of the First Land Camera. Fifty-seven went on sale at the Jordan Marsh department store in Boston for the 1948 Christmas holiday. Polaroid marketers imagined they would have time enough to manufacture a second run before the first batch ran out but all fifty-seven cameras were sold on the very first day.

I was lucky enough to hear Edwin Land speak during an Icons of Photography series at MIT in Cambridge in the early 70s and he was quick to point out that he thought the initial attraction of the instant camera was so people could make “personal” pictures at home without having to take the film to a lab for development and “scrutiny”.

The Alte Nationalgalerie

Next up was the Alte Nationalgalerie, situated on Museum Island, a UNESCO-designated World Heritage site. This national gallery has an amazing permanent collection that includes a few of all the greats.

Wanderlust

The current exhibition, “Wanderlust”, follows art from 1800 through the early 1900s which illustrated Europeans new found love of the self-determined journey on foot that came to represent a new, intensified encounter with nature in particular and life in general. These wanderings represented a significant development of world knowledge for artists and writers who were trekking through the Alps and all over France, Germany, Norway, Great Britain, Denmark and Russia. Every painting in the show depicts a wanderer in the wilderness.

Loving to travel like we do, this show had a particular connection for us.

This famous painting “Wanderer above the Sea of Fog” by Caspar David Friedrich was the center piece and inspiration for the show. It has come to represent a metaphor for life, as we stand and look out across the great unknown.

“Wanderer above the Sea of Fog” – Caspar David Friedrich 1818

At a time when women were all trussed up, this was considered one of the first Feminist paintings, showing a woman wandering alone and dressed for freedom of motion.

“Bergstelgerin” – Jens Ferdinand Willumsen 1912

Gassies was inspired to paint this during his travels through England and Scotland. In this large painting he accentuates the winds ferocity with clearly visible brush strokes.

“Scottish Landscape” – Jean-Bruno Gassies 1826

Nolde paints a solitary traveler on a path that leads to an unclear destination, suggesting hardship and danger, somewhat popular themes during the Romantic period.

“Winter” – Emil Noide 1907

Most of the paintings in the show were on loan from other museums so most photography was verboten, but I did want to show a few pictures from the permanent collection that I thought were fun.

There was no nameplate on this so I have no idea who painted it. I can only hope that the model didn’t have to sit too long and got the sausages in the end.

Any of us who have spent time with children can relate to this.

“Small But Subborn” – Wilhelm Busch 1875

Before there was Disney there was Victor Müller.

“Snow White” – Victor Müller 1862

I’m thinking that Arnold Bocklin worried a bit about the passage of time.

Self-Portrait With Death Playing The Fiddle – Arnold Bocklin 1872

I love the Dutch. Leave to them to take what we think of as a solo pursuit, the women alone at her spinning wheel, and putting the whole village to work, even the kids.

“Flax Barn In Laren” – Max Liebermann 1887

For our dear friend Sabine.

“Sabine Lepsius” – Self-Portrait 1885

The Neues Museum

Right next door was the Neues Museum. We’re here for the “Margiana. A Bronze Age Kingdom in Turkmenistan” show and their collection of Egyptian artifacts.

I’m going to forego the broken pottery and jump right to the show stopper, the mysterious “Berlin Golden Hat”. This is the only fully preserved specimen of the four known conical Golden Hats from the late European Bronze Age, 1,000 to 800 BC. It is generally assumed that the hats were worn by priests of the Sun Cult that appears to have been widespread in Central Europe at the time. A detailed study of the Berlin example showed that the symbols represent a lunisolar calendar and would have aided the wearer/priest in predicting the dates and periods of both lunar and solar events.

The Berlin Golden Hat

The Museum für Fotografie

We finished our quick visit with an afternoon at the Museum für Fotografie. This museum is a joint collaboration between the Kunstbibliothek and the Helmut Newton Foundation and exhibits a huge array of contemporary photography that challenges our notions about what constitutes fine art photography and fashion photography.

Museum für Fotografie

These 9′ Amazon Women greet you in the main foyer. It’s funny to think that in the early 80s Helmut Newton shocked the fashion and photography world when he first exhibited them. Now they seem almost quaint, just good clean naked fun.

In the Aftermath of WWII

There’s no denying that, in regards to the horror of WWII, Berlin was the heart of the beast. Germany has recognized that to be a world leader they would have to expose Nazism for what it was and help educate the world about the events that help create the huge tragedy it represents. All of this is done with the hope that in knowledge is the power to stop this from ever happening again.

The Topography of Terror

The Topography of Terror

The Topography of Terror is a documentation center that is visited by 1.5 million people a year and is one of the most frequently visited places of remembrance in Berlin. This is a fascinating site that gives a step by step historical account of exactly how the Nazi party came to seize power and convince an entire population to believe their lies and propaganda.

The Topography of Terror

Let’s not forget the Commies

Check Point Charlie

The Wall

The 17 June Memorial

This huge mural was created by the artist Wolfgang Rüppel and commemorates a worker upraising on June, 17, 1953. It’s original working title was, “The importance of peace for the cultural development of humanity and the necessity of struggle to achieve this goal.” Leave it to the Commies to overcomplicate things.

The 17 June Memorial

The Holocaust Memorial

The Holocaust Memorial

The Memorial to the Murdered Jews of Europe, or Holocaust Memorial, is a memorial to all the Jewish victims of WWII. It was designed by architect Peter Eisenman and engineer Buro Happold. According to Eisenman’s project text, the stones are meant to produce an uneasy, confusing atmosphere, and the whole sculpture aims to represent a supposedly ordered system that has lost touch with human reason. Many visitors and Berliners have also interpreted the contrast between the grey flat stones and the blue sky as a recognition of the “dismal times” of the Holocaust. Needless to say there has been much controversy surrounding the site since it was first constructed in 2003. Regardless, over 1,000 people visit each day and it is truly sobering.

The Holocaust Memorial

On A Cheerier Note

We did manage to find schnitzel at the Duke restaurant in the Ellington Hotel. The food, beer and service were all great.

So what was I on about?

The Wendi Files – 2018.1

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People have been clamoring for the Wendi Files but rather then burden everyone with endless tales of blood-curdling debauchery, I thought we could start off slow and just let her never-ending wackiness unfurl at it’s own pace.

Happy In Haarlem, NL

The Singer-Laren Museum, NL

The National Museum of Modern Art – Edinburgh

Riddles Close – Edinburgh

Krollen-Muller, NL

Edinburgh

Charity Shop In Banchovy, Scotland

Cullen Bay, Scotland

The National Museum of Modern Art – Edinburgh

Enjoying the wildlife at Balmoral Castle

Edinburgh

With Barney In Edinburgh

Castle Fraser – The Top of the Tower

Castle Drum – Honey, we’re home.

Welcome To The Vintage Market At New College, Durham, U.K.

Buddying up to Victoria at Kelvingrove Museum, Glascow

Albatross Imitation At Kelvingrove Museum, Glascow

A Pub In Ballater

Balmoral Castle – She said, “You know we could rent a couple and race each other?”

New Friends in FoggieLoon, Scotland

Kirkcudbright

A Nap At Castle Drum

Wendi said she’d rest on the lawn at Castle Drum while I climbed the Tower. The groundskeeper came over and nudged her to make sure she hadn’t expired.

Disaster, Mayhem and Mini-Monsters

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As usual there just isn’t enough time to get to everything so here’s a few sad and peculiar tales that got lost in the shuffle.

‘Black Friday’

St. Abbs

In October of 1881 the fishermen of the North Sea could not have predicted that a European windstorm, the strongest of all extratropical cyclones, was moving their way. Because of the unsettled weather the fishermen of Eyemouth had been unable to put to sea all that week. By Friday the 14th everyone’s stores were exhausted and bait was going stale. The morning broke clear and calm yet the barometer was still abnormally low. The younger men knew that if they didn’t put out to sea there would be no food for their families until, at least, Monday evening. The older fisherman cautioned against it, but the impatient younger men, with hungry families and loans to repay, ignored the more experienced advice and, one by one, raised their sails and moved out of the harbor. They sailed nine miles out to the fishing grounds unaware that the storm had already broken along the coast further south. Suddenly a horrible stillness fell over everything, the sky darkened and the storm clouds began to roll in. Most of the fishermen, having no time, cut their lines and turned into the wind, while others made a run for Eyemouth.

Eyemouth Harbor

On the shore, whole families gathered and watched through the driving spray and lashing rain as their fathers, brothers and husbands crashed into the rocks along the coast. By the end of the mornings 189 fishermen had died, 129 from Eyemouth. Every family was effected as 250 children were left fatherless.

Sculptor Jill Watson

This small and very heartfelt bronze memorial, created by sculptor Jill Watson, stands on the bluff above the harbor where the women and children gathered and watched their loved ones perish on the rocks just off shore during the Eyemouth Fishing Disaster of 1881.

Sculptor Jill Watson

Lives Of The Rich & Famous

In our age of celebrity we tend to think of the rich and famous as having charmed lives free of stress, worry and anxiety. Lives in which everything they could ever want is right at their fingertips. Lives filled with adoration and privilege. They appear to look good, feel good and fill their trouble free days with unimaginable joy. I think this notion is completely illusionary and with the exception of an incredibly lucky few, has no basis in reality. If it’s not true now, then it definitely wasn’t true in the 16th &17th centuries. Here’s just a few examples.

Archibald Campbell, 1st Marquess of Argyll

Archibald was a man of immense power who shifted his political allegiances between the Protestants and Catholics as the prevailing winds blew. Even his father referred to him as a man of craft and falsehood. Eventually he found himself on the wrong side and in 1660 Charles II had him arrested and executed. His famous squint and gloomy countenance earned him the nickname of “Archibald the Grim”.

Lady Arabella Stuart

This potential heir to both the Scottish and English crown was amazingly wealthy. Her evil mother kept her in a semi-imprisonment for most of her life. When Arabella finally gained a little freedom she eloped without her cousin, the King’s, consent. He was so furious he imprisoned her in the Tower of London were she starved herself to death.

James Douglas, 4th Earl of Morton

Morton was always a troublemaker. He infamously introduced the guillotine to Scotland. After trying to de- stabilize the reign of Mary, Queen of Scots he was convicted of taking part in the murder of her beloved Lord Darnley 13 years earlier. He was publicly executed with the very same guillotine he had brought to the country.

Henry Stuart, Lord Darnley

An heir to both the English and Scottish thrones, Henry was married to his cousin Mary, Queen of Scots. Mary crowned him King of Scots. Although adored by Mary, he quickly proved himself to be spoilt, arrogant, unstable and completely incompetent. He was murdered just one year later at the age of twenty one.

James Graham, 1st Marques of Montrose

Montrose was another man of privilege that just couldn’t make up his mind. First he was a Royalist, then a Clan Chief, then a Covenanter and then a Royalist again. Always in trouble, Jimmy hid out in the Highlands, then England, then France and eventually returned to Scotland only to be captured and brought to the High Street in Edinburgh where he was hung, cut down while still alive, had his entrails cut out and set ablaze, and finally was drawn and quartered.

Strange Things

Peculiar creatures are not restricted to the windows of Haarlem. They have, apparently made their way to Scotland.

Just another guy that wanted to rule the world.

Duke & Baron – The Kelpie Clydesdales

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Clydesdales

Most Americans are familiar with these magnificent horses from the incredibly sentimental ads that Budweiser uses to make us cry every Christmas and Super Bowl.

The friendly nature of these giant creatures is no accident. In the 1820s Scotsmen cross bred powerful Flemish stallions with local mares to create a workhorse that is powerful, even tempered and docile enough to work in close proximity with men. They were quickly put to use pulling boats and barges along the canals and rivers of Scotland.

It’s no wonder the shape-shifting Kelpies that live below the surface of these waterways chose the Clydesdale as the form they would take when they came ashore. These mythical creatures wait patiently on the banks for unsuspecting passersby who are drawn to their kind eyes and magnificent countenance. Innocent people would reach out and touch them, only to be trapped and pulled below to a watery grave.

Kelpies

By the end of the 20th century the canals and waterways around the once vibrant industrial Falkirk region were silted up, filled with refuge and unused.

At the beginning of the restoration project, named the Helix, sculptor Andy Scott was brought in to help. He imagined that Clydesdales would be the perfect image to bridge the divide between the areas industrial past and it’s mythological folklore. He chose the Clydesdales Duke and Baron as his models.

Duke is “Kelpie Head Down”

Baron is called “Kelpie Head Up”.

The Kelpies in Helix Park

Looking Up Inside Duke at Falkirk, Scotland

These amazing sculptures have completely revitalized the Falkirk area. The first year alone drawing a million tourists.

A House With A View

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The Castle Tour – Episode 6

This is what the Kennedy Clan calls home. Not bad.

Motto: “Consider the End”

Culzean Castle

The Kennedy Clan dates back to at least the 1200s when Cunedda, the Grim-headed, was sent to southwest Scotland to defend the region from sea raids.

They have absolutely no connection to the American Kennedys.

Culzean Castle

Culzean Castle was constructed by order of the 10th Earl of Cassilis. The castle was designed by architect Robert Adam and was built in stages between 1777 and 1792. The building and large drum tower were built to take full advantage of it’s location overlooking the sea.

Culzean Castle

The Power Plant

For the interiors, symmetry was the order of the day. Only one of these doors is functional. The left hand one is just there to balance the other and goes nowhere. There are maids bells on each side of the fireplace. The right one works, the left one is a dummy. This concept is seen in every room of the house.

The Lion & The Mouse

I love this 17th century painting by Paul de Vos. It depicts the final scene in the classic fable by Aesop. In the oldest versions, a lion is woken from sleep by a tiny mouse. The mouse begs for the lion’s forgiveness explaining that such lowly prey couldn’t possibly bring the lion any honor. When the roaring lion is trapped by hunters, the mouse remembers its clemency and gnaws through the ropes to free the giant beast. The moral being that mercy brings its own reward and there is no being so small it cannot help a greater. This fable has been reinterpreted by many different cultures the world over, some coming to much different moral conclusions.

Paul de Vos

Sir Thomas Kennedy

Thomas Kennedy

Accorded to the guide, Sir Thomas Kennedy was considered a real piece of work. Rumor has it that in an attempt to forcibly procure land from a neighbor, he and his henchman strapped the poor man to a spit and slowly roasted him until he agreed to sell. The man recovered and the sale was revoked, but the chief men of Ayr agreed to slay Sir Thomas Kennedy the first opportunity they got. On May 11 1602 he was murdered just outside the town of Ayr.

Artistic License

Everything in these mansions is designed to impress, even commissioned paintings. These two fine paintings by Alexander Nasmyth are no exception. The first shows the island of Ailsa Craig in the misty distance just off shore. The island is considerably further south and impossible to see from the house. The second painting shows Culzean Castle from the sea, sitting on a bluff that is at least three times as high as the real thing. Impressive, yes, accurate, hardly.

Culzean Castle From The North With Ailsa Craig By Alexander Nasmyth

Culzean Castle From The Sea By Alexander Nasmyt

For A Job Well Done

Dwight Eisenhower

The Kennedy family retained ownership until 1945 when they gave the castle and its grounds to the National Trust for Scotland with one stipulation. The apartment at the top of the castle was to be given to General of the Army Dwight D. Eisenhower in recognition of his role as Supreme Commander of the Allied Forces in Europe during the Second World War.

Ike first visited the castle in 1946 and stayed there four times, including once while President of the United States.

A Message For Our Times

“ If all that Americans want is security, they can go to prison. They’ll have enough to eat, a bed and a roof over their heads. But if an American wants to preserve his dignity and his equality as a human being, he must not bow his neck to any dictatorial government.”

Dwight Eisenhower.

BruceWPeterson Photography

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Tag Archives: Home Exchanges

The Time Machine

1995

The Kingdom of Saxony

Saxony

Leipzig – The Better Berlin

Dresden

Gemäldegalerie Alte Meister

Nazi Footnotes

The Wendi Files 2018.2

A Monument For The Ages

Schwerin – the Florence of the North

Berlin – A Case of Creeping Sameness

The Wendi Files – 2018.1

Disaster, Mayhem and Mini-Monsters

‘Black Friday’

Strange Things

Just another guy that wanted to rule the world.

Duke & Baron – The Kelpie Clydesdales

A House With A View