Schwerin

This lovely storybook city in Northern Germany is referred to as the Florence of the North. The capital of the state of Mecklenburg-Vorpommen, Schwerin has a population of about 150,000. It is surrounded by lakes, the largest of these being the Schweriner See, the third largest in Germany.

At the end of World War II, Schwerin was taken by United States troops. It was then turned over to the British on June 1, 1945. One month later, on July 1st, it was handed over to the Soviet forces, and the British and American forces pulled back from the line of contact to the predesignated occupation zones.

Schwerin was then in the Soviet Occupation Zone which was to become the German Democratic Republic (GDR). After reunification in 1990 it once again became the capital of the state of Mecklenburg-Vorpommen.

The Trace of the Lion Monument

This monument on the Market Square in Schwerin was built in 1995 by the controversial German sculptor Peter Lenk. It commemorates the 800th anniversary of the death of the city’s founder Heinrich the Lion. During his lifetime, Henry, Duke of Bavaria and Saxony, was one of the most powerful men in his region of the world. He founded the city of Schwerin in 1160, Munich  in 1157 and Lübeck in 1159. During his reign, he ruled over a territory that reached from the coasts of the North and Baltic Seas all the way to the Alps.

The nearly 15-foot-tall monument features a lion, Henry’s heraldic animal. The sides show curious scenes associated with Henry’s life. The most bizarre scene depicts the duke riding through a gauntlet of people flashing their buttocks. Legend has it that when Henry arrived in the town of Bardowick, its contemptuous residents received him with their pants pulled down to reveal their bare behinds in an expression of anger at the Duke’s punitive trade policy that promoted Schwerin and Lübeck as important trading places and caused Bardowick to lose it’s prestige.

Schloss Schwerin – Schwerin Palace

The first records of a Slavic fort at this small island date from AD 973. In 1160, the fort became a target of Henry the Lion. The Slavs destroyed the fort before leaving but Henry recognized the strategic importance of the location and immediately started building new defenses. He also had the first foundations of the city of Schwerin laid the same year. In 1167, Henry gave the County of Schwerin to his vassal Gunzelin von Hagen, who formed a ducal hereditary line that lasted until the revolution of 1918 which resulted in the abdication of the Grand Duke.

The shelves that surround this beautifully paneled room are supported by individually craved animals.

 

Petermännchen ,“Little Peterman”

Every good castle has to have a ghost. Meet Petermännchen.

This good-natured household spirit is only a few feet tall, is often described as carrying many keys, roaming through the vaults and tunnels underneath the castle, unlocking doors as he goes. He has a cavalier look with a stylish moustache, wearing a waistcoat, riding boots with spurs and a feathered hat. He is said to carry a lantern and sword and is the keeper and watchman of the castle, rewarding those who are honest and good. Conversely he will punish or drive away thieves and intruders. To do so Petermännchen will cause a nuisance or play pranks, crashing and banging through the night. He also wakes soldiers who have fallen asleep on their watch in order to save them from being punished.

The Winter Room

The ceiling decoration in the Winter Room is made of paper mache and covered with three millimeters of gold foil. The builders discovered that paper mache was far superior to paster or stone carving. It’s faster, lighter, cheaper and can be pressed into molds so the designs are infinitely repeatable.

Queen Luisa of Prussia

This beautiful portrait of Queen Luisa of Prussia hangs in the Winter Room and was painted in 1812 by W. Temite from a drawing made on her deathbed. The covered hands and palm fronds in the veil would have indicated to viewers that the portrait was posthumous.

Albrecht II

I’ve always insisted that no matter how peculiar some folks seem to look there had to be some point in the day when they caught sight of their own reflection and thought, “Yea, I look pretty cool.”

I’ll bet the pliers hanging from his waist were to help get in and out of that getup.

The Staatliches Museum

The Staatliches Museum Schwerin (State Museum Schwerin) was established in 1882 and is nationally known for its medieval collections well as one of Europe’s most significant collections of French-American artist Marcel Duchamp.

Besides the Alte Meisters (Old Masters), we are here primarily for the GDR Show.

Hinter dem Horizont  – Beyond the Horizon …
GDR art from the collections of the Staatliches Museum Schwerin

The exhibition brings together around 100 paintings, drawings, graphics and sculptures  some maintaining the prescribed ideologies of the times, others not so much. Here’s just a few.

The Bitterfeld Way

Artists were called upon to seek out their subject matter in factories or in the countryside. Proximity to the working populace was a programmatic specification of the cultural policy. 

“In our time, a contribution to socialist art must consist primarily in encouraging the working people of socialist society to actively shape their lives.”

“The working day seems to be approaching its end. The excitement at the prospect of knocking off is unmistakable. This image, marked by optimism and a lust for life, can be understood as a metaphor for the dawning of a new age.”

On Gorbachev’s Reforms In The Soviet Union

“Incidentally, if your neighbor redid the wallpaper in his apartment, would you feel obliged to redo the wallpaper in your apartment as well?”

Jean-Baptiste Oudry – An Alte Meister

Oudry was a much favored 18th century French painter that specialized in animals in conflict, but also had a keen eye for the historical significance of many of these amazing creatures.

The Indian rhinoceros “Jungfer Clara” came to Versailles and Paris in 1749. Oudry studied her at the fair at St, Germain. At the time very few people had seen one of these creatures. It must have seemed as alien to the 18th century viewer as a Martian. The life-size portrayal became a memorial to this magnificent rhinoceros.

Georges-Louis Leclerc, Comte de Buffon, a French naturalist, mathematician, cosmologist, and encyclopédiste, produced a highly successful and widespread engraving of Clara’s portrait, which allowed a much larger audience to view this amazing animal.

 

 

These large scale paintings of animals at battle were highly favored in the royal houses and palaces of Europe in the 18th century.

Let’s finish with a great German artist.

Paul Kuhfuss, a classically trained Berlin artist, was hugely prolific and left an archive of over 5,300 works of art.

Herr Kuhfuss was also a man of conscience. In October of 1935, he was denounced by the Gestapo as member of the artist association “Berlin North”, for his resistance to the Nazi cultural propaganda and his defense of Jewish colleagues. Participation in art exhibitions in Berlin was no longer possible until after the war.