The streets of Portland are still full of anonymous messages although I can not help but notice that graffiti is making a transformation. In some ways this change mimics rock and roll’s move from underground to mainstream in the 80s and 90s. Medium sized gang tagging, crude graffiti and whacked out counterculture messages appear to be on the wane as more and more wall sized murals begin to dominate the landscape. These gigantic, amazingly produced, pieces of art appear to be commercial calling cards that help businesses stand out from the landscape and visually separate themselves from the surrounding buildings.
The Rise of the Sticker
The counterculture appears to have become more automated, opting for huge numbers of preprinted minuscule wackiness that has firmly harkened in the age of the sticker. Think of it a little like Punk Music; rude, disorganized, snarky, messy, small and, yet, still loud. Clever miniature tags, notices, art and bits of wacky wisdom festoon most every pole or metal railing in town. They seem to encompass artistic expressions, clever ads, nasty pronouncements, silly doodles or simply the rantings of lunatics.